As Associate Photo Director at Postmates, I sat at the intersection of strategy and execution. I didn't just capture images; I built the visual world of the brand. My role was truly hands-on, spanning conceptual brainstorming, on-set art direction, and the final technical touches of retouching and design. I worked hand-in-hand with marketing to ensure every campaign was as aesthetically sharp as it was strategically sound.
Australian design conference, Analogue/Digital, asked MailChimp to create a short video they could show throughout the day during their event. We wanted to make something grand, with a quick turnaround, and a modest budget—something simple in execution, but effective and unique.
While experimenting in the studio, we realized that, when paint drips slowly, it’s captivating. On a previous project, we painted props for a video. We tried pouring the leftover paint on a flat surface we cut from foamcore. The first iteration showed potential, so we kept moving.
We had one of MailChimp’s UX developers print a few 3D logos. After a few paint waterfall attempts, we had something we were stoked about, and started recording. To round out the video experience, we added a soundtrack from my band, Sealions. The video was also showcased at the 2014 Brand New Design Conference in Chicago, and in NY Times Square.
When we moved offices across Atlanta, we wanted our new neighbors and landlord to know, too. We also wanted them to know we value creativity, humility, and mischief. So we bought ad space on four bus shelters and five billboards along Ponce De Leon Avenue, a major thoroughfare and home to our new digs. We filled each spot with big images of candy-colored dripping paint as if to slyly say: “Change is coming and it’s gonna be fun.”
Collaboration with Troy Stains and Mattiel Brown.
Triple the fizz, triple the flavor, triple the style 💋🍓✨
Isabela Merced, Joe Ando-Hirsh, & Dess Dior each bring their own spark to Simply Pop
Director/Editor: Jason Travis
DP/Color Grade: Alejandro Wilkins
Music: Troy Stains
Executive Producer: Jellybean Partners
Local Producer: Callie Householder
Asst/PA: Jana Trimble
1st AD: Adam Jordan
1st AC: Nicholas Rey
2nd AC: Levi Miller
DIT: Christopher Watkins
Lead Gaffer: Eric Deren
Key Grip: Keith Splawn
BB Grip: Evan Hurst
Art Dept: Bronson Castro
Prop Stylist: Sally Vaughan
Art PA: SJ Prusakowski
Food/Beverage Stylist: Amaris Wright
Makeup: Allan Avendaño
Makeup Asst: Ruby Vo
Hair: Sami Knight
Manicurist: Hannah Lee
Wardrobe Stylist: Ray C’Mone
Wardrobe Stylist Asst: Amburr McLovin
Agency: VML / Hogarth
Studio: Terminus / Atlanta, GA
MailChimp once did a huge vinyl Freddie giveaway. The plan was to have a new video for each new Freddie, revealed at the beginning of each giveaway. The first featured classic Freddie, which was a challenge. Weird is easy enough to do, but how do you bring new meaning to a mascot who’s been around for more than a decade?
Initially we had a very Dada-esque non-sequitur idea that slowly evolved into someone making prototypes of Freddie, which parallels the actual creation of the first vinyl Freddie. From there, we took a raw idea and tried to figure out where it might lead. A creative process video about the creative process, if you will.
We tried to take a wide-eyed, childlike approach while producing something that was modest in scope and budget. We put a lot of time into storyboarding the video, which kept our brains from melting on the actual shoot day. While figuring out the conceptual phase, Troy and I tried to stay focused on 2 main ideas:
“What’s the silliest thing we can come up with?” and “What would make us laugh and have a good time?”
So, what does it take to make a Freddie? Snacks and power tools, mostly.
Soon after, we decided to celebrate MailChimp’s new offices with new billboards. We pulled our favorite stills from the video to tell Freddie’s creation story all up and down our new block. We sure laughed. Hopefully our neighbors did, too.
Collaboration with Troy Stains.
Do The 99 is based on the fact that shoppers can turn to 99 Cents Only Stores for important times in their lives. With its fresh approach, the campaign aims to strengthen the brand in the eyes of current customers as well as reach new ones.
With this number, shoppers not only can afford more of the things they need for home, work or play, they also enjoy more chances to discover something new, or try something different.
DoThe99.com
On September 9th, 2018 99 Cents Only Stores made history setting a Guinness World Records title for the Largest Packaged Product Number. I was part of the amazing team that created a gigantic 18,200 square foot “99” in celebration of #99Day. The production took less than 24 hours, 100 people, and over 12,000 products on the field of the Rose Bowl Stadium in Pasadena, CA. The display included a wide range of products available at 99 Cents Only Stores, such as cleaning supplies, home goods, pet food, snacks, drinks, cosmetics and more. All the product was donated to LA Food Bank, School on Wheels, Alleviate Skid Row, the Los Angeles Boys and Girls Club and Goodwill Southern California. We were all dressed in matching bright blue jumpsuits, knolling product through the night, creating something colossal and memorable. It was an awesome team effort and unique experience that I’ll never forget.
Human Collective is based on these profoundly weird times we’ve all experienced over the last few years. Living through a pandemic has been a unique situation which has connected us all in new and interesting ways. This collaboration has been a way to celebrate all of us coming back together.
There’s been so much growth and hardship and challenges. Every conversation these days starts with a loaded question about those experiences. These conversations turned into an exploration of who we grew into and what we learned from being in isolation. This project celebrates each of the models as individuals, and then takes that idea a little bit deeper.
The interviews include discussions of joy as well as struggles during isolation. We talked about the relationship with their hair and how it’s reflective of their identity. We also discussed what we are hopeful about moving forward. Everyone’s responses were honest and beautiful.
Models:
Cassidy
Anthony
Miranda
Nico
Melanie
Films:Colton Jones & Jason Travis
Hair:Colton Jones
Wardrobe:Drew Donnelly
In early 2016 I moved from Atlanta to Los Angeles. It was the first time in my 35 years that I’d lived outside of Georgia. I wanted to create a photo series focusing on people I meet—people who have also moved to Los Angeles to start a new chapter of their lives. I wanted to hear about their journey and experiences. I wanted to learn how living in different places has shaped their existence.
transpLAnts volume one & two mini zines are available in my shop HERE
View the entire project HERE
While working on a MailChimp landing page, I spontaneously poured an entire container of sprinkles over an unsuspecting doughnut. The striking image got me thinking, "What if I covered other objects—people, even!—in sprinkles?" And just like that, a super serious sprinkles project was born. Sometimes there's a sprinkly theme, but often it's just about being playful, and creating a striking image.
First Place Winner of 2017 Faces portrait photography competition
A new series of hand-painted rocks inspired by 1970s die-cast racing cars.
When our son Asher was born in January, I started collecting 1970s and '80s die-cast cars as a future gift for him. I’ve always loved the design of that era. The boxy angles, the bold colors, the retro style. I was especially drawn to racing cars with their logos and unique graphics.
Meanwhile, all year long our daughter Poppy has really been into collecting rocks. One day, I noticed two of her rocks looked just like a car when placed together. From then on, I started hunting for rocks everywhere I went, finding all sorts of fun combinations that I could paint to resemble the 70s die-cast racing cars. It's been a really delightful process and I love that this series draws inspiration from both of my kids.
In late April, I had the pleasure of painting a 60 foot mural for Pabst Blue Ribbon on the side of The Local in Atlanta. I had a few talented assistants and I couldn’t have done it without them—Kyle Brooks, Maria Brooks, and Toby Huss. I also couldn’t have done it without the help of Luis Sandoval at PBR.
My initial sketch featured a character inspired by Kyle that looked more like a soldier riding a phoenix. I eventually swapped him out for a figure inspired by an old PBR mascot named Cool Blue. He’s throwing the “A TOWN DOWN” hand signal while riding a giant turkey phoenix rising above the flames carrying a flag for the beer and bar, because duh. Following the Battle of Atlanta, the city’s symbol is the phoenix rising from the ashes since the city has burned and been rebuilt twice.
This turkey phoenix in particular loves PBR and has the strength of Popeye, but he may never taste that sweet nectar. Sad! I painted the snowy landscape with evergreens to give the eyes a visual rest on both sides of our heroes. I hope all the locals at The Local enjoy this mural.
Video by Jason Travis & Troy Stains / Edited by Jason Travis / Music by Jason Travis
Photos by Jason Travis, Troy Stains, Kyle Brooks, Luis Sandoval, Monica Campana
My long-running series Persona, which began in 2007, explores identity through objects. Each diptych pairs a portrait with a carefully organized photograph of the contents of the subject’s bag. Over time, the process of arranging these personal items has become deeply meditative for me—an act of both observation and composition.
Beyond Persona, this impulse to organize has expanded into other projects. I’ve photographed my own collections, created logos for companies using related objects, and collaborated with brands by arranging their products into thoughtful compositions. I’m continually experimenting with new ways to group, categorize, and visually structure everyday items, treating organization itself as a creative tool.
Website — jtravis.co/united-hairlines
Spotify — Apple — SoundCloud — Bandcamp — Instagram
When J Travis set about recording his first full-length album, he was searching for solace from the outside world. The veteran musician and photographer turned inward, letting a sustained outpouring of ideas wash over his emotional uncertainty.
Isolated and searching for joy, his new music reflects that journey, welcoming a healthy dose of cathartic repose. United Hairlines explores a sense of self that feels like it’s sometimes slipping away, awash in a dream state.
It’s an album that embraces the importance of patience and dedication. Lovestruck songs that channel ‘90s influences, rendered through sparkly melodies, gauzy guitars, and introspective lyrics.
United Hairlines is a document of Travis’ kaleidoscopic sonic palette showcasing an elevated sonic maturity and bringing fuzzed-out idiosyncrasies into harmony. Full of mesmerizing intimacy that hints at everything from The Sundays and The Cure to Nada Surf and The War on Drugs, United Hairlines is a beguiling, ethereal debut.
J Travis looks to now lead with love instead of fear, showcasing a pure distillation of his life journey.
ALBUM CREDITS:
All words and music by Jason Travis
Produced by Jason Travis and CJ Ridings
Engineered and mixed by CJ Ridings
Mastered by Joe LaPorta at Sterling Sound
Photography and layout by Jason Travis
Additional photography by
Jonpaul Douglass and Mattiel Brown
Illustrations by Jason Travis
Handwritten type by Stefan Hunt
Animation by Linda McNeil
Copywriting by Austin Ray and Travis Broyles
Web development by Jordan Andree
Jason Travis
vocals, guitars, bass, synths, omnichord, drum sequencing
Blake Gamel
drums on track 1, 2, 4, 7, 8, 9, 10
backing vocals on track 6
Eric Slick
drums on track 3, 5, 6
Spencer Ussery
backing vocals on track 1, 3, 4, 6, 8, 11, 12
Mattiel Brown
backing vocals on track 2, 9
Joey Patino
backing vocals on track 10
drum sequencing on track 12
Johnny Dang
guitar on track 6, 12
“ONE HORSE TOWN” VIDEO CREDITS:
Director: Jason Travis
Color & VFX: Will Wilkinson
Stylist for Car & Pool Scene: Drew Donnelly
Special Thanks: Marion Jones, Miranda LeRae, Mathilde V, Michael Newsted
Featuring: Sara Young Chandler, Jessica Gadzinski, Stephanie Kim, Cheyenne Gordon, Anthony McRae, Tess Awal, Seth Wood, Hilary Staff, Bridget Brown, Myriah Marquez, Mattiel Brown
“HEAT WAVE” VIDEO CREDITS:
Shot and edited by Jason Travis
“ET CETERA” VIDEO CREDITS:
Edited by Jason Travis
I picked up a pencil at a young age and never put it down. The illustrations showcased here have been created for websites, posters, album artwork, commissions, personal projects, and, most especially, for the joy of drawing.
Over the years, I've photographed and designed projects for countless musicians. As a musician myself, I feel a kinship working with these folks. I'm often commissioned by Atlanta music venue The EARL, and well as other artists from around the country, to make posters and fliers that advertise their shows. These are a fun way to experiment with new methods and ideas while culling inspiration from the artists' music and style.
I love working with musicians. Getting to concept and design album artwork is the pinnacle. Thinking about tangible items that people will hold in their hands and display where they live or work? That's powerful. It's also a chance to collaborate with the musician and create something that captures their message.
The videos I directed, shot, and edited for Mattiel’s singles “Whites of Their Eyes” & "Count Your Blessings" / “Bye Bye” was made with Troy Stains & Mattiel.
"Whites of Their Eyes" consisted of me, Mattiel, and a very cooperative horse named Webster 🐴 I’m very proud of this collaboration that’s filled with colorful, exciting visuals that perfectly embody her unique voice and talent.
Album cover photo shot in Morongo Valley, CA.
The "Count Your Blessings" video was directed and produced by Mattiel & myself. Special appearances by Randy Michael & Jonah Swilley (the production team behind the track) Thanks to Jason Kofke for being a great PA on set. Shot on location at Paris on Ponce in Atlanta, GA. This video features a lot of bread & milk & cake & more 🍔 🎂 🍰 🍞 🍅 🍝
Album available on Burger Records
The “Bye Bye” video was made with Troy Stains & Mattiel. The video features Randy Michael & Jonah Swilley (the production team behind the track). Special Thanks to Kirby Lee, Daniel Lee Everson, and Walter the Dog. The dusty desert romp “Bye Bye” accompanies the UK release of the self titled debut album on Heavenly Recordings.
Mattiel - Je ne me Connais Pas
Director/Producer: Jason Travis
Cinematographer: Tyler Dunning Evans
Gaffer: Tom Gault
Costume Design: Tess Awal
Set Design: Tamara Gurevich
Makeup Artist: Kathleen Pardo
Production Assistant/Grip: Adam Stunkle
Cast: Sara Young Chandler, Rene Ferry, Heidi Gutweiler, Julie Roche, Shadow the Dog
Editor: Jason Travis, Mattiel Brown
Location: The Forge in Los Angeles, CA
Mattiel - Food for Thought
Director, DP, lighting, and editing by Jason Travis
Food styling, location, wardrobe, hair, makeup, and props by Mattiel Brown Starring Cecilia Vettraino, Pearl the Chihuahua, Speckle the Chicken
No, we didn't kill and cook Speckle.
Mattiel's new album, Satis Factory, is out now on ATO Records and Heavenly Recordings. Order Satis Factory here: http://smarturl.it/satisfactory
Mattiel - Lighthouse
Directed, filmed, and edited by Jason Travis
Color by William Wilkinson
Produced by Jonah Swilley
Mixed by John Congleton
Lyrics by Mattiel Brown
Instrumentation:
Nate Myers - Tenor Saxophone
Keifer Johnson - Trombone
Brandon Austin - Trumpet
All other instrumentation by Jonah Swilley
Filmed in St. Augustine, FL
Mattiel - Boomerang (Alt Version)
Shot and edited by Jason Travis
Color by William Wilkinson
Filmed in Redwood National Park
Mattiel’s new album ‘Georgia Gothic’ is out now on ATO Records and Heavenly Recordings. Order the limited edition vinyl, CD and digital: ffm.to/georgiagothic
sealionsmusic.com/numberonelover
I've been designing album covers since before I knew "design" was a thing. I recorded countless tapes in my room as a teenager, always creating the album art for each release. Fast forward to my band Sealions' latest EP, Number One Lover.
The project wound up being a huge endeavor—vinyl, CD, cassette, website, merchandise, photo shoots, music videos, and more. We were working with Atlanta-based label Deer Bear Wolf to release the EP and NYC-based Terrorbird to help with publicity. Being a songwriter and performer in band management decisions is a big challenge, but I wanted to be involved throughout the entire process.
I used a Troy Stains photograph and James Victore typography. I worked carefully to ensure the production of the website, merchandise, and all variations of physical album functioned as a cohesive package. Being able to have complete control was extremely satisfying, especially when the album finally came out.
Album credits
Design by Jason Travis
Photography by Troy Stains
Type by James Victore
Website Programming by Jordan Andree
Bio by Austin L. Ray
Number One Lover written by Sealions (Jason Travis & Joey Patino)
Performed by Sealions (Jason Travis, Joey Patino, Keith Edmiston, John Craig)
Produced, Mixed, and Engineered by Jason Kingsland at Maze Studios. Atlanta, GA.
Mastered by John Golden & April Golden at Golden Mastering. Ventura, CA.
Music videos take a lot of planning. Most often there's a limited budget, a quick deadline, yet you want to create something uniquely eye catching and special.
"Honey" was our first single, and I wanted the video to showcase a strong direction for the band without including the band members. I knew that my friend and former creative director Kevin Byrd was inspired by dancing, so we enlisted a spectacular dancer and performance artist named MaryGrace Philips. Along with cinematographer Troy Stains, we all worked closely together to create a unique video.
The video debuted on UK website Gold Flake Paint:
"While the anthemic, widescreen nature of the track calls to mind sweeping sun-filled vistas, Atlanta quartet Sealions have taken a turn in the opposite direction for the accompanying video to their brilliant new single ‘Honey‘. Creating a juxtaposition which instantly grabs, the song is constrained only to one dimly lit warehouse space, the exuberance of the rich melodies shown only through the stylistic performance of the lone dancer who twists, dips and weaves to every radiant hook and every pulse of percussion."
"Setting Suns" our second single which debuted on Creative Loafing. Here's what I told them:
"For me, 'Setting Suns' is the most personal track on my band’s new EP, Number One Lover. The song was written about my one true love, during a time we spent apart. Sometimes, two people meeting can be a little too intense to absorb immediately. There has to be separation for a while. It can happen unpredictably and unexpectedly, but eventually you find your way back. That’s 'Setting Suns.' I approached the video treatment in a lighthearted manner, capturing Sealions in the studio recording the track, and then also as we performed it live. My hope was to show the band in human form, performing a song in two very different environments, having fun along the way."
Honey
Director: Kevin Byrd
Director of Photography: Troy Stains
Producer: Jason Travis
Editor: Troy Stains & Jason Travis
Dancer/Choreographer: MaryGrace Phillips
Dolly Grip: Ricky Aguirre
Hair & Makeup: Zoe Simone Bulboff
Assitants: Joey Patino, Keith Edmiston, Sophia Veitch, Allie Bashuk, Annabelle Byrd
Location Manager: Justin Newton
Shot at The Goat Farm, Atlanta
Setting Suns
Director: Jason Travis
Cameras: Jason Travis, Troy Stains, Wil Hughes, Dan Depew
Editor: Jason Travis
Shot at Maze Studios and The EARL, Atlanta
"Honey" and "Setting Suns" appear on Sealions' EP Number One Lover / Deer Bear Wolf Records
© 2014 SEALIONS
Written by Sealions (Jason Travis & Joey Patino). Performed by Sealions (Jason Travis, Joey Patino, Keith Edmiston, John Craig). Produced, Mixed, and Engineered by Jason Kingsland at Maze Studios. Atlanta, GA. Co-produced by Joey Patino. Mastered by John Golden & April Golden at Golden Mastering. Ventura, CA.
I was commissioned to create nine button designs for a vending machine at a bar in Atlanta, GA. I also had my pattern made into a t-shirt using Print All Over Me.
MailChimp loves coffee. Every time someone makes a new batch, they announce the "fresh pot" in our chat room. It’s like our Bat-Signal, except that, instead of hailing Batman in a time of distress, it sends caffeine-crazed coffee drinkers scurrying to the kitchen to grab a cup before it’s gone. Its origins can be traced back to rock ‘n’ roll legend Dave Grohl’s now-classic YouTube clip.
It’s with all this in mind that I started thinking of a more analog system to alert our team to fresh pots. I’d always wanted to create a neon design while documenting that process. I wanted the sign to be aggressive-but-charming, but also bold, just like Grohl himself—the neon equivalent of him showing up and shouting, “FRESH POTS!” I started out with a pencil sketch, then met up with the good folks at The Neon Company here in Atlanta.
Once I started editing the process video I realized that it needed some original music for its soundtrack. Our hastily assembled one-off band (drums, bass, two guitars, gang vocals) wrote, recorded, and mixed a brand new song in 4 hours at Glow in the Dark Studios. Naturally, we called it “Fresh Pots!”
Who are MailChimp customers and how do they use the product? That's the question the MailChimp UX team tried to answer when they talked to dozens of users, acquiring tons of data and identifying motivations, traits, and needs. We used this information to create a series of archetypes that serve as a design guide. These personas help us keep in mind who we’re designing for, and what’s important to them.
We wanted the personas to be bold, simple, and effective. Dramatically lit portraits set against vibrant colors. Stunning, yes, but also realistic. Pulling inspiration from my own persona portraits, as well as the work of Paula Scher, we created something unique and eye-catching.
After that, we hung the posters in one of the most-trafficked rooms of MailChimp HQ. Now they are proudly displayed and talked about daily.
Typography by Justin Pervorse.
For over two years I shot and curated original photos for the MailChimp Instagram feed (and created the #MeetMailChimp series highlighting employees). It was such a rewarding, fun experience. It was an exercise in blending photography, design, and social thinking. We celebrated hitting 25,000 followers with Golden Grahams treats (For our golden…wait for it…’grams.) Ah, the sweet taste of success.
MailChimp's Instagram audience grew by 158% in 2015, and images from the account bolstered some of our most popular posts on Facebook, Twitter, and LinkedIn. MailChimp has been called “a company that is unleashing fantastic content regularly on Instagram,” and the account is regularly featured as a leading B2B brand. See what people had to say about MailChimp's feed:
Every couple weeks, MailChimp does a recruiting meetup in Atlanta. In the past, we’ve posted job descriptions and online announcements, but we wanted to experiment, try reaching a different group of people. We decided to try placing three ads in Atlanta’s alt-weekly, Creative Loafing.
One of our designers mocked up ideas with some images from our archives paired with a few punchy phrases (“Smile @ Work,” “Night Owls Welcome,” “Make Dad Proud”) we wrote on the spot. Everyone felt like we were on the right path to weirdness. I set out to photograph a few people around the office. Then we decided to try more of a handwritten type style, so I took out my sharpies and pens.
The result? 112 people showed up! (For some perspective, our talent scout Chris says the events usually draw around 20 people. The record turnout before this one was 53.) Needless to say, this experiment surpassed every expectation. We reached all kinds of personalities with a more diverse work experience than ever before. You might say we made dad proud.
Every Friday morning, MailChimp has a Coffee Hour. We invite creative, interesting, thought-provoking, and downright weird people to come and teach us something new. If there's an ulterior motive to ours, it's to emphasize the importance of creativity, chaos, and loving what you do.
These presentations are inspirational for us as spectators, but they’re also the perfect place to experiment with design ideas. We’ve made numerous posters, and even videos sometimes.
In early 2013, I went to see British metallers Napalm Death on their latest U.S. tour stop in Atlanta, and it sparked my interest in heavy-metal logos. There were four other bands on the bill and about 50 different t-shirts lining the wall around the merch booth.
During the entire next week I was constantly listening to metal and thinking about how fun it would be to create a logo for MailChimp that embodied that same aggressive spirit. The logo was used on billboards and also screenprinted onto sweatshirts at Terminus Tees. My friends Brent & Sarah are seen here wearing the two variations.
When MailChimp sponsors something, there's a chance to play with brand marketing. I've always approached those opportunities as a chance to showcase MailChimp with a creative, fun spirit. It's a chance to stand out from other advertising.
As Lead Photographer at Mailchimp, I created photography and visual content for brand campaigns, marketing initiatives, and social media. I collaborated closely with the marketing team to concept ideas and helped shape the company’s visual voice. My role spanned photography, art direction, video direction, retouching, design, illustration, and managing the Instagram presence.
The video shoot for MailChimp's jobs page was a three day extravaganza. We flew down a couple directors from New York and a production team from North Carolina. We had three days to build, prop, light, and shoot a video. It was a whirlwind, and we couldn't be happier with the result.
Video Team
Agency - No Little Plans
Director - Ryan Essmaker
Production Company - Caravan
Producers - No Little Plans & Caravan
Directors on Set - Ryan Essmaker & Ron Lewis
Cinematographer - Brent Christy
2nd Unit DP - Bernardo Marentes
Content Director - Jon Muedder
Art Direction & Set Design - MailChimp (Ron Lewis, David Sizemore, Jason Travis) & No Little Plans (Ryan Essmaker)
Set Construction - MailChimp
1st Assistant Camera - Scott Jones
Post-Production - Caravan
Editor - Jon Muedder
Colorist - John Carrington
Music Composition - Noah Smith
Sound Mixing/Design - Jeremiah Clever
Interviewer - Tina Essmaker
Makeup - Lani Martz
Human Props - David Sizemore & Jason Travis
The Jobs Page
Design and Art Direction: David Sizemore
Design: Jason Travis, Mattiel Brown
Development: Jordan Andree
See the page HERE
Growing up I loved all things Garfield. I would always doodle him on my notebooks and one time my Dad even helped me carve a Garfield puzzle out of wood. Dipping back into that childhood well of inspiration I created this pattern and then had it made into a t-shirt, leggings, and hat using Print All Over Me. Photographed in Los Angeles, CA.
Model: Marion Jones
